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March FableFriday: Mackenzie Bright, Production Assistant

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“I can’t count how many nights I’ve spent absorbed in conversation with coworkers about games they’ve played recently or shows they’ve seen or books they’ve read,” shares Mackenzie Bright. “Or, that one memorable night where half the studio, at 9 p.m., obsessively combed the internet to source a specific item for a video shoot, and didn’t stop until we were successful. It was a great example of the team coming together to share the experience and get something done.” For Mackenzie, a production assistant at FableVision, her favorite part of being a FableVisionary is the people she is surrounded by—unique, passionate individuals who are all committed to the studio’s mission of telling “stories that matter, stories that move.” As someone with a vast array of interests and talents, it comes as no surprise that Mackenzie values the air of enthusiasm that has been cultivated at FableVision.

As a production assistant, Mackenzie manages and works with different producers to help manage a number of projects. No two days at the studio are ever the same, and Mackenzie embraces the organized chaos, effortlessly juggling different projects to produce consistently impressive results. She brings the same spirit of collaboration to her dynamic role as when she serves on the volleyball court, and the same eye for creativity as when she crafts stories in her free time. Read on for a peek into Mackenzie’s journey to FableVision, her love for educational media, and her favorite P.G. Wodehouse novel!

Tell us about your FableVision journey! What about the studio caught your eye? 
I first heard about FableVision in a Children’s Media class that I took during my senior year of college at Tufts University. That class was my first exposure to the world of children’s media and completely changed the trajectory of what I wanted from my career. When I started searching for internships, my professor Julie Dobrow recommended I look at FableVision, since they had such an excellent history. But the first thing that REALLY caught my eye about the studio? The Wall of Inspiration! When I came in for an interview and studio tour, I literally couldn’t look away. It was an incredible touch of personality that had a piece of every studio member on it, and it really helped sum up the things that make FableVisionaries special—individuality and never forgetting the things that shaped you. FableVision is undoubtedly unique because of the people I have the opportunity to work with here. Everyone at the studio is passionate about education and games, and that really shines through in the work we do.

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You were a marketing intern before officially joining the team as a production assistant! What benefits did interning provide, and how have you adjusted to your current role?
Yes, I was! Interning had many benefits, not the least of which was a familiarity with the studio and the way our project flow worked. It also gave me an opportunity to become familiar with the people in the studio—ALL of the people, not just the marketing team! As a marketing intern, I was able to talk to and work with people from every other “department”, and they were always eager to answer my questions and get to know me. This made my decision to later apply as a production assistant very easy, because I already knew the work environment, and how genuine and wonderful every FableVision employee was. 

What does a typical day at FableVision look like for you? 
My days at FableVision vary pretty greatly depending on what my current project needs are. As a production assistant, I both manage my own projects and help other producers, so different projects need different things from me. Sometimes I have to dedicate full days to working on one project, and some of my tasks can vary from asset organization to VO recording and cutting. Other times, I spend a full day keeping up with management needs for a number of different projects. 

What has been your favorite project you’ve worked on during your time at FableVision? 
My favorite project at FableVision has been Civics! An American Musical, which we partnered with Maryland Public Television, Maryland Humanities, and Tufts’ CIRCLE as a part of the Library of Congress Teaching with Primary Sources program. I really enjoyed the civics aspect of the project, and as I helped out, I learned a lot about U.S. history. I’m also a huge fan of musical theater, so the opportunity to create my own Hamilton-inspired musical was a blast! 

What makes you the most excited to wake up and (virtually) head to work every morning? 
I am always excited to see my coworkers! At the time I’m writing this FableFriday, we are still working from home due to the pandemic, so seeing familiar faces on video calls is always the highlight of my day. We often stick around for a little while after meetings to catch up or share opinions on TV and music, and I wouldn’t trade it for the world. 

What advice would you give to students who are trying to break into the industry? 
I would tell them to try everything, especially the things they’re not sure they’ll like! Branching out can often lead you to loving things you never would have considered before. 

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You grew up playing a number of sports, and were even on the Women’s Varsity Volleyball team at Tufts University! What are some of the lessons you’ve learnt as an athlete that you carry with you in your daily life? 
Teamwork and perseverance are two incredibly important things I’ve learned from sports. FableVision is a team environment at all times, and it’s crucial to be able to work cohesively with other people, especially in production where your team is relying on your communication skills. However, I’ve found that the biggest lesson I learned from being an athlete is that things go better when you love what you’re doing—when you’re enthusiastic and excited about the project you’re working on, the job you have, or the game you’re playing!

In addition to being an avid reader, you also write your own stories. Rumor has it you want to work on writing a children’s book in 2021—tell us what we can expect! 
I have always loved the world of children’s fiction, and it’s my goal to write my own books! The world of fantasy writing as a whole really shaped my own interests, and some of my favorite things to read today are still the books I first read as a kid. Children’s literature always has such a broad range of worlds to be seen, adventures to be had, lessons to be learned, and it’s important to me how crucial these books are to helping kids figure out who they are and what they stand for. Children’s books are gateways to wonder and a better understanding of the world, and I want to see what doors I can open, too!

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Favorites: 

PG Wodehouse novel: Right Ho Jeeves. It was the first one I read, and it’s a classic!

TV show: Parks and Recreation.

Musician: John Williams.

Study abroad memory: Traveling to the Isle of Skye in Scotland and hiking up mountains in the rain!

Season: Fall—I love the colors and the weather.

Brunch dish: Fried-egg everything-bagel sandwich with cheese and bacon.

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July FableFriday: Julie Dobrow, Professor at Eliot- Pearson Children's School at Tufts University

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Recently, we had the opportunity to speak with Julie Dobrow, Senior Lecturer in the Eliot-Pearson Department of Child Study and Human Development and Tisch College Senior Fellow for Media and Civic Engagement at Tufts University. As an experienced scholar of child development and children’s media, Julie offers an experienced and unique perspective on creativity, imagination, and reconnecting with your inner child for those interested in entering the children’s media field.

“You need to be willing to keep learning, because the field and the platforms are always changing. I also think that the best producers of children’s media are the people who can connect with their inner child,” says Julie. “You need to remember what it FELT like to sit under that hedge and imagine that it was the portal to a whole different world. You need to close your eyes and SEE all kinds of fantastical things. You need to HEAR joyful music. And you need to DREAM in color, not black and white.”

As an attentive and supportive educator, Julie has even led many of her students to our studio for internships, and a few of them even staying as FableVision staff! A longtime FableVision friend, Julie talked with us about her history with children’s media, her latest projects, and her best advice for up-and-coming children’s media professionals.

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You are part of the Eliot Pearson Department of Child Study and Human Development at Tufts University, the oldest Child Studies program in the nation. What is your role there and what do you enjoy most about it?
Ever since I’ve been at Tufts—and I’ve been at Tufts a LONG time, since 1995!—I’ve taught at Eliot-Pearson. At first, it was just one class on children and mass media. Since then, however, I’ve added a graduate seminar on the topic and introduced a new course a couple of years ago on creating children’s media. I have always loved teaching, but teaching in this area of study, which changes every year (if not every week!) is both challenging and fun because it means I have to keep learning too.

What first made you realize you were interested in children’s media, and how did you get your start?
I actually wrote my Master’s thesis on images of gender and race in children’s animated television. Then, I didn’t do anything with the topic for a while. But when I became a mom, I started renewing my interest because I saw in my own little home laboratory just how much and in how many different ways media impacted kids’ lives. That led me to explore the area more in my teaching, research, and writing.

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Can you tell us some more about the Children’s TV Project (CTV)? How did the idea for this project come about and what reflections do you have as you near the end of your research?
This project was actually born when the original Disney version of The Lion King first came out. My colleague, Chip Gidney, and I had each seen the film and were both kind of horrified by the ways in which the evil characters were marked by dialects. We looked at each other and said, “we should do something about this.” So we started designing a way to systematically explore the depictions of gender, race, and ethnicity in kids’ animated programming.

I’d have to say that after all of these years of working on this, I still feel like there’s more we need to understand. We’re pretty clear on the fact that stereotypes still exist and, in fact, exist way more than we would have thought they would given how hyper-PC so many people in the entertainment industry often appear to be. What we’re not as clear on is just why they do. And we’re just at the beginning of the last part of the project, arguably the most important part: doing research with children to understand how they think about and process the images that they take in.

Considering the observations that inspired CTV, what is something that writers, producers, and consumers of new children’s media should think about? 
One thing is that it’s not only how characters are drawn that matters; it’s also how they sound and the context they exist in. You can draw a very diverse set of characters, but just plopping them into some generic urban or suburban background isn’t enough to make a richly contextualized environment that mirrors the environments in which real people live.

Many of your students have worked or interned at places like WGBH, Sesame Workshop, and of course FableVision! What have you enjoyed the most about watching your students branch out into the world? 
I love matching my students up with internship sites, including FableVision. There are few things more rewarding than making a good match! Internships are an incredibly important way for students to see how they can parlay what they’re learning in the classroom into industry jobs. They make great contacts, and then they’re very willing to “give back.” So, by now, I feel like I have a whole little army of former students who are working at Sesame Workshop, Nick Jr., WGBH, Fablevision, Fox Kids, Google, Sprout, and a host of other places. They know how the combination of child development and media studies can really help get you started in this industry, and they’re always willing to help a fellow “Jumbo” with a conversation, a contact, and often, a job.

How did you first cross paths with FableVision? What makes it a place that you recommend to your students when they’re looking for internships?
It actually might have been one of my former students who tipped me off to some of the incredible work that’s going on at FableVision. I’ve had enough students who’ve interned and worked there by now to know that FableVision is a place where magic happens. I also know that it’s a warm, encouraging, and creative workplace. And how many internships or job sites actually have popcorn machines?!

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We heard you’re currently on a book tourcongratulations! What is your book about and what do you hope readers will gain from it?
After Emily is a mother/daughter biography of Mabel Loomis Todd and Millicent Todd Bingham, the two relatively unknown women who made Emily Dickinson into a household name. I hope that my book will introduce these two fascinating women who pushed the envelope on what women of their respective eras did to readers. I also hope that it will speak to everyone who themselves have had a complicated relationship with family members, and that it will shed some new light on the story of the ever-mysterious reclusive poet of Amherst.

We heard you recently ran into Marc Brown, author of the Arthur series, at one of your book events. How did it feel to officially meet the creator of such an iconic program? 
Well, Marc and I have been in touch for many years, since I helped Tufts to acquire some of Marc’s old Arthur materials when he was moving out of his home on the Vineyard. But we’d never met in person until he showed up at an event I did on my book tour in New York. It was wonderful to meet him, and I wish there had been more time!


More about Julie:

Favorite flavor of ice cream? Coffee.

What’s a children’s book you still love to read? The Phantom of Walkaway Hill.

Best way to spend a Saturday? Puttering around in my gardens.

What’s your favorite city to visit? I’m not much of a city girl. I like visiting New York and Los Angeles, but I sure wouldn’t want to live there.

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Meet the Art Interns

We’ve already introduced you to our marketing and operations interns, but wait -- there's more! FableVision welcomes three art interns to the Studio for the summer.

Our summer art interns come from all over the Northeast and draw inspiration from many different artists and animators. As lifelong lovers of animation, we think they make a great addition to our summer office staff.

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Brendan Kirschbaum

Brendan says:

I've always loved to draw, but I discovered animation when I was around ten years old. My brother introduced me to Pivot, a beginner animation program with jointed stick-figures. I made a lot of shorts about ninjas with superpowers. My favorite project was an animated short I created at RIT called "Flight of the Geese." Sitting in an auditorium and hearing an audience laugh at something that started as a terrible sketch of a dopey goose soldier was bizarre and rewarding.

FableVision asks:

So this is your first time living in Boston. How are you enjoying the city so far?

There’s a lot of energy, and a lot of great places to eat! I just went to the Scooper Bowl… all-you-can-eat ice cream is a very easy way to win my affection.

From looking at your animation and art samples, it looks like you have quite the sense of humor. Do you have a favorite comedy TV show or movie?

I’m just starting to get into Bob’s Burgers, which is hilarious. The Emperor’s New Groove is still the funniest animated movie to date in my book. (Editorial note: Bob’s Burgers is one of our favorites too.)


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Stephan Park

Stephan says:

I really discovered my love for art through drawing Pokémon characters in first grade; Pixar movies sparked my love for animation. Consequently, my main source of inspiration is a mixture of Western and Eastern influences, ranging from graphic novels to anime. I don't really have a certain drawing style; it varies, so I can adapt my drawings to any mood and plot. My favorite piece that I have created is an illustration called "Train World" that depicts my perception of the New York subways and its strange inhabitants. I love it because it has a bunch of quirky characters, but it is based on observation so people can readily relate to it.

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FableVision asks:

Do you have a favorite character to draw? What kind of adventures do they go on?

I have a mouse character called Peppi who likes to travel the woods fighting bears and various predators.

If you could travel to anywhere in the world, where would it be and why?

I would like to travel to Paris or Japan to study the animation studios and the styles that they produce there.


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Jazmine Richardson

Jazmine says:

Ever since I was a child, I had a fascination with movies, especially animated ones. I spent the majority of my childhood drawing and creating my own characters and doodles, including a comic strip in a local newspaper. I love Chris Sanders (Lilo and Stitch, How To Train Your Dragon), and try to channel his line work and sense of movement. My favorite project was an animatic adapted from a section of the novel The Circus of Dr. Lao, which featured a giant snake telling the story of how he hunted down a small child. It was morbid and a little disturbing, but a unique story to adapt.

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FableVision asks:

What's been your favorite part about interning at FableVision so far?

Getting experience in a professional work environment. I also like seeing all the cool projects everyone’s working on.

We know you love to draw, but what's another favorite hobby of yours?

I love watching movies and learning random tidbits about them, specifically in the art direction. I also love writing, (trying to) learn foreign languages, and spending time with my pets.

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Meet the Summer Interns

Summer is here at last! As we break out our sandals and sunblock, we also welcome new marketing and operations interns to FableVision Studios. We grilled them (love a good pun) on the important stuff: namely their work experience, their passions… and cereal preferences.

From the self-proclaimed “people-watcher” to the proud trombonist, our new interns are well-versed in marketing, journalism, educational media, and all things Netflix.

Read on and check back in a few weeks when we introduce our summer art interns.

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Emma Doherty
Operations Intern
Junior at Emerson College, studying television production and marketing
Follow her on Twitter

Emma says:

I've been involved with shows on Emerson Channel and Emerson Independent Video. I've been a producer for a few shows since I started at the school this year, and I've had in-studio positions. I'm also an editor, writer, and member of the marketing team for our online entertainment magazine. When I’m not in class, I may actually spend more time in New York City than in Boston. I’ve been in the audience of Late Night with Jimmy Fallon, The Colbert Report, and The Daily Show − just to name a few − and have interviewed a producer of 30 Rock.

FableVision asks:

What is your favorite television show of all time?

Oh no… That is awful. I can't answer this, there's far too many! However, if I had to pick my top three favorite shows they would have to be Parks and Recreation, 30 Rock, and The Office 

If you could have dinner with one actor/actress, who would it be and why?

Amy Poehler! No doubt there. I adore Amy and everything she's done from SNL to Parks and Rec to her work with Smart Girls. She is so incredibly brilliant and kind. I feel like it would be so easy to talk to her.


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Griffin Quasebarth
Marketing Intern
Senior at Tufts University, studying child development and communications and media 

Griffin says:

I'm hoping to eventually make educational programming for children. I am heavily involved in the Child Development Department's research on animated television and movies and their depictions of characters, specifically the messages that are being sent to children about gender, race, and body image. While overt stereotypes are not as prevalent as they once were, there is a severe dearth of diverse representations currently on television (meaning that there are mainly white, male characters). This may have several consequences, one of which is lower self-esteem among racial minorities watching, as they begin to view their race as unimportant and not fit to be the hero of a story. I could go on about this subject for dozens of pages but I will spare you the lecture.

FableVision asks:

What's your favorite cereal?

The adult in me says Cheerios, the kid in me says, ‘Fine, but put sugar on it.’ I’ll settle for Fruit Loops.

You're really into children's media, what's your favorite cartoon and why?

Right now, it’s either Avatar: The Last Airbender or Phineas & Ferb. Avatar is great because of its consistently high quality plots and characters and rich history and lore. Phineas & Ferb is just whacky and is one of the only shows that I think stays funny no matter how old you are.


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Amy Wetzel
Marketing Intern
Junior at Eastern Nazarene College, studying journalism and writing
Follow her on Twitter

Amy says:

After a year in college with an undecided major, I decided to major in journalism/writing, though mostly for the writing part. Next year, I'll be the editor-in-chief of our school newspaper, Veritas News. When you write a piece, make sure you are proud of it and can stick by it. Sometimes journalists have to write tough articles that upset more people than it pleases them, but it’s news that's gotta get out there. I always try to make sure my research and writing is accurate and thorough to avoid any further controversy that an article may stir up.

FableVision asks:

What’s your favorite type of article to write?

Definitely profiles. I love sitting down with a person and hearing their story. If you are able to sit quietly and listen, it's amazing what you can learn from someone.

There are music notes on your FableVision nametag, is music a big part of your life? Who is your favorite musician/ band?

Along with writing, music has also been a huge part of my life since about fourth grade. I play trombone in my college's jazz band and sing in the A Cappella choir (yes, a proud music nerd). As for listening music, I love British artists: Mumford & Sons, Ed Sheeran, Ben Howard.

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The Great Twitter Adventure of Clancy the Elephant

Marketing Intern Sam and Marketing Coordinator Sarah tweet out the #CYOFable Twitter campaign from FableVision headquarters in Boston on Wednesday. 

Marketing Intern Sam and Marketing Coordinator Sarah tweet out the #CYOFable Twitter campaign from FableVision headquarters in Boston on Wednesday. 

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Now that was an adventure! As we wipe the sweat from our brow, we'd like to thank all of YOU who participated in FableVision's awesome Choose Your Own Fable Twitter party on Wednesday! We've done Twitter campaigns before, but this one was special. After asking our @FVStudioBoston followers to submit original story ideas via #CYOFable, @maskinman sent one we loved about an elephant who learns how to build a rainbow.

Our marketing intern, Sam Zollman, took the idea and wrote a Choose Your Own Adventure, with multiple opportunities to pick the direction the story took. Our brilliant art interns Julia GlassmanLisa See Kim, and Sarah Reul illustrated the fable, bringing Clancy’s story to life in three unique styles!

Keep reading to see how the whole #CYOFable unfolded, and be sure to follow us on Twitter to keep up to date on all things FableVision!

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