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September FableFriday: Audrey Spencer, UX/UI Designer

Audrey's Headshot

FableVision UX/UI Designer Audrey Spencer is a problem-solver at her core. As a multidisciplinary designer, Audrey has worked across many fields, including medical, game development, and VR/AR design. She has a passion for creative problem solving, thinking outside-the-box, and brings her own dash of whimsy to every project that hits her desk. 

“I love sharing my creative process with others and I’m excited to be doing that at FableVision,” says Audrey. “I’m especially having a blast on a project that we’ll reveal soon – we have an awesome team and such a great connection with the client – it’s been so rewarding to see this come to life.”

Read more to learn about Audrey’s winding journey to FableVision, how she wooed the internet with her elaborate cat drawings, and her battle with DJ Khaled.


Audrey's Cat Art

Audrey’s Snapchat drawings featuring Maya and Oskar

What’s your “journey to FableVision” story?
It’s been quite the journey! My degree is in industrial design, so I began my career in product design, working in healthcare designing medical devices. This was around the time when a “cool new app” called Snapchat came out, and with its clunky drawing tools, I started drawing photos of my cats, creating elaborate and harrowing scenes. Apparently the people of the internet liked them, which caught the attention of Snapchat and the media, starting me on a path of creative storytelling for brands like Microsoft, Universal, Pilot, and Snapchat. It was all pretty surreal.  

Pivoting from medical device design, I began working with startups as a one-woman design team, doing everything from industrial design, graphic design, branding, video, and marketing. I worked in a wide range of industries from Tesla coils, to robotic fishing equipment, to AR (augmented reality) hardware. It was very exciting. 

While working with an AR hardware startup, I grew close with some folks at Snap Inc. and began consulting on Snapchat’s user interface, as well as other programs in the works. One of these was Lens Studio, the AR Lens software they were developing, which sparked my interest in virtual reality and augmented reality design. 

Shortly after, I went through a Unity and XR program to broaden my skill set, through which I was introduced to FableVision!

Social media panel at the Rock and Roll Hall of Fame 2016

How did past fields and industries you’ve worked in prepare you for FableVision and the educational industry?
My experience as a student, which was tough, prepared me the most. I’m dyslexic and I’ve always struggled with reading. I have a lot of empathy for kids who are also struggling with any type of learning disability, and I know what they’re going through. In my own life, I’ve learned that this disability can be transformed into an empathy superpower when it comes to storytelling and designing educational experiences. It’s quite rewarding to bring that perspective to the table.

What type of projects do you like to work on?
I like projects that involve humor and a bit of weirdness. I bring my own dose of quirk as it is,  so I appreciate any project that has that creative freedom. I also love a good challenge and managing a lot of moving parts – really, anything that requires problem solving is fun to me.

Group of Snapchat creators

Besides UX and UI, you’ve also developed content for brands like Microsoft and Universal. Can you tell us more about that experience?
In the early days of Snapchat, it was a Wild West for creators working with brands on the platform, and it was really difficult to gain a following with content that expired every 24 hours. 

So, when I and a small group of creators gained traction on Snapchat, brands saw this as an opportunity.  At the time, Snapchat didn’t have an ad program in place, so these brands reached out to us to create content for them.

This led to some really fun jobs, traveling across the country doing work for Microsoft, Universal, Pilot Pens, Shark, Crocs, mobile games, animal shelters, and a bunch of others.

Creating content for brands isn’t too different from what we do at FableVision Studios. The client has an idea and an audience it wants to engage, and we bring that idea to life.  

Tell us about being a Shorty Award finalist for “Snapchatter of the Year”!
What a weird time to be alive. I was up against a few big names, one of which was DJ Khaled, who was pretty well known… and still is. I didn’t go in with any expectations of winning… and I totally didn’t win. But it was a really great award show – I got to rub elbows with Alton Brown and Bill Nye the Science Guy!

Leading up to it, we had to get votes from our audience. So, I found a video of DJ Khaled asking his followers to vote for him and I took that video, edited out where he said “Vote for DJ Khaled,” went through his video history, and basically made a video of him saying to vote for me. I still cringe when I look at it now, and it was purposefully bad, doing it all on my phone in Snapchat from the comfort of my kitchen. But everyone got a kick out of it. If anyone wants to see it, you’ll have to message me and I might show it to you.

What was your most intricate cat drawing and how long did it take?
Well, that would be the cat drawing of Maya splayed out on a bounty of gold coins, gems, and jewels, what you’d expect to find in a treasure chest. I got really into the details and it took a solid nine hours to draw. But Maya deserved it. 

Maya Treasure Chest

When drawing on Snapchat at the time, it crashed often. And every time it crashed, I’d lose everything. Eventually, I found a way to circumvent that to be able to post things through some trickery. That gave me the freedom to take a few evenings and work on a drawing rather than all at once. Something that drew me to Snapchat was the temporary nature of the content on the platform. I could test out weird ideas, people could see them, like them or not, and then they would disappear. There was something fragile and liberating about it that I really appreciated.

How has your online art evolved?
I have always loved sharing creative ideas with others and people love cats. I’ve tried out all sorts of things with varying degrees of success. 

I've shot skits, made music videos, photoshopped cats as other animals, and started a subreddit that features animals with their faces photoshopped really really tiny.

Even so, my cat drawings have definitely gotten better. I started using a stylus instead of my finger, but if and when I lost that, I discovered that wrapping the stick part of a Q-Tip in foil makes a “decent” capacitive stylus.

What is the dynamic like between Oskar, Maya, and Louie?
I got Maya first. Quickly, I could tell she wanted another cat to play with. She’d sneak up on me, jump on me, and want to play all the time. Eventually, I found Oskar at a shelter. I tried to keep them apart as they adjusted to another animal in the space, but that was impossible. Once I introduced them, they did battle it out a bit, but they’re great friends now. They don’t cuddle like siblings, but they’ll clean each other, play, and chase each other around.

A few years ago, we got Louie. He is a very shy, skittish cat. And introducing them was a challenge: all Oskar wanted to do was chase and play, and all Louie wanted to do was run. But it’s gotten better. We’ve tried to create a safe space for him and he hangs out with us and trusts us a lot more now.  

Audrey’s Favorites

Favorite plant? I can’t choose a favorite… but I do have five self-contained ecosystems I created: three terrariums and two “jarrariums.” It’s taken them five years to get to this point but they’re finally self-sustaining with only sunlight and a wee bit of water!

Favorite film/tv show? I am really enjoying Evil at the moment. But I always enjoy revisiting King of The Hill and Comedy Bang Bang!

Favorite game? Board: Wingspan. Video: too hard to pick just one, but Her Story, Inside, and Animal Crossing had a huge effect on me.

Favorite recent DIY? I fixed the hose spigot at my house. It had no available parts to buy in a store since it’s so old. So I made my own washers! My next thing to start is refinishing lampshades – I already bought fun fabric, fringe, and tassels.

Chipmunk

Elle the chipmunk

Favorite place to find antiques? Estate sales. I love seeing objects in the context that they lived in, and the history surrounding them. Once I buy something, it feels like I’m giving them a new life. 

Favorite homeowner surprise? I’ve been excited about the wildlife outside and have set up cameras to capture videos of all the fun animal visitors! Recently, I’ve befriended the crows and the chipmunks. One chipmunk friend in particular jumps up into my hand when I hold out sunflower seeds.  

Favorite cat (if possible)? I get asked this a lot and I have an answer: it’s Maya. 100%.

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March FableFriday: Monica Chen, Marketing Coordinator

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A dedicated and quick-witted writer, Monica Chen’s skills in marketing are undeniable. The face behind much of FableVision’s social media content and client communications, Monica is constantly changing and adapting to the demands of her role. Clients are always in good hands with Monica—a professional, yet personal, experience is guaranteed when Monica is leading the charge.

Monica juggles countless tasks throughout her days as FableVision’s Marketing Coordinator, and balances her responsibilities skillfully. A master manager of schedules, spreadsheets, and creative communications projects big and small, there is no job that Monica cannot handle.

“A lot of my focus as a writer has been on the human experience,” Monica says. “I definitely think that translates into how I approach writing marketing content for the studio because I constantly try to consider how the people we design and develop media for, not just our clients but also the audiences who will be using the product, will read the content and internalize the messaging.”

Monica is a 2018 graduate of Ithaca College with a passion for writing, music, and Chipotle. An admirer of art in all forms and a passionate storyteller, Monica blends seamlessly into FableVision’s mission of making “stories that matter, stories that move.”

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Tell us about your FableJourney! How did you hear about FableVision and what brought you here?
I heard about FableVision when I was introduced to Sarah Ditkoff, FableVision’s Communications Director, by an Ithaca College (IC) alum. After emailing back and forth with Sarah a couple of times, I came in for an informational interview at the studio. During that meeting, I told Sarah a bit about my life, what I studied at IC, my previous marketing experiences, and where I was in the job search process. She gave me some more information on FableVision Studios, as well as advice for me as someone looking to enter the marketing field fresh out of college. I remember leaving that meeting and texting my best friend in the elevator before I even left the building: “This place is everything I’ve ever wanted in a job. I want to work here so bad.” At the time, there were no open positions, but a few months later Sarah emailed me about the open Marketing Coordinator position, and I immediately jumped at the opportunity to apply.

How do you approach marketing and outreach for FableVision? From your vantage point, what’s unique about our place in the industry?
When I first started working here at FableVision, I really appreciated and continue to appreciate the time and care we put into how we talk to our audiences and how we talk about our projects. When we speak with clients and prospective clients, we’re not just marketing products, but really we’re marketing the talent and skills in the studio. We’re marketing the experience of working with us and the impact that the product—whether it be a game, an app, a website, an animation, or something else—can have on the people our client wants to reach. In our outreach, we focus on the learning outcomes and the positive messages of our projects to provide helpful resources and supplementary tools to help learning spaces engage students. And because of where we are in the edtech industry, we can focus on the larger goal of fostering creativity and lifelong learning in everything we write and post.

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You recently graduated from Ithaca College. Tell us a little bit about your education there!
I majored in writing and minored in integrated marketing communications and the Honors Program. Although I chose not to pursue a specific concentration within the writing major, a large part of my focus was on fiction and poetry. I had some incredible mentors in the Writing Department and, with their support, I was able to complete a lot of projects I am quite proud of, including a number of short stories, a collection of poetry, and a short novel. In my minor courses, I studied a wide range of marketing-related topics, including strategic communication, public relations, advertising, copywriting and art direction, graphic design, and generalized marketing strategy.

Outside of my courses, I also had the opportunity to participate in many extracurricular activities, student organizations, research projects, and community service activities. One of my favorite projects was the Ithaca Pan Asian American Film Festival, which I helped plan during the last three years of my undergraduate career. As part of the festival planning process, I took the film festival class. In the course, we watched and discussed Asian American films, studied the historical and social context behind Asian American representation in media, helped organize and plan festival activities, and corresponded with festival participants, filmmakers, and sponsors. One of my main roles on the marketing committee was designing our marketing materials. My first year with the festival, I just started learning graphic design in my minor, so I had to teach myself how to use Photoshop (with the help of a lot of YouTube tutorials) in order to create the posters and brochures we needed. The following two years, I designed the majority of the posters, brochures, flyers, and other marketing materials. It was a great learning opportunity for me and the skills I gained from creating those deliverables helped me a lot in my marketing and advertising courses, as well as in my internships and eventually my marketing career after graduating.

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As both a practicer and consumer of art, what is your favorite art museum that you’ve been to? What is one you’re dying to visit?
For practically my whole life, the Museum of Fine Arts in Boston was my favorite art museum because when I was growing up, my dad would often take me there on weekends and during school vacation. It will always have a special place in my heart; however, the Van Gogh Museum is definitely another top contender. I was able to visit the museum two years ago when I took a trip to Amsterdam during my semester abroad in Ireland. Vincent Van Gogh has been my favorite artist for years and seeing his life chronicled through his art was incredibly moving. I cried while watching a documentary showcase at the museum—the way he captured the beauty in the world around him despite his intense internal struggles has always had a big impact on my view of life and of my own art and writing.

One of the museums that has been at the top of my list to visit is MORI Building DIGITAL ART MUSEUM: teamLab Borderless in Tokyo. Digital art is definitely something I have become more interested in as I have learned more about graphic design. Also, from what I’ve seen in pictures and videos, the museum has some really captivating and beautiful exhibits.

If you had unlimited time and resources to pick up one new skill or hobby, what would it be?
I would love to learn how to make videos, including filming and editing. As someone who has spent countless hours watching videos on YouTube, I am always in awe of the creativity of a lot people on the platform. While some of the YouTubers I watch have backgrounds in media production or film, the majority of them taught themselves filming and editing tricks over time as they continued to post content, or they got help from other YouTubers. I think video is an exciting avenue for storytelling, especially with the mix of visuals and audio. I am always impressed by those who experiment with language, music, transitions, animation, effects, and so on in their videos. Video is something I’d love to explore in both a personal and professional manner.

We’ve heard you’re really into seeing live music! If you had to pick any three bands or artists, what would be your dream concert lineup to go see?
This is an incredibly difficult question, so I’m going to start off by saying that my number one dream concert lineup would probably be 5 Seconds of Summer (5SOS), Panic! at the Disco, and Queen.

I’m going to follow that statement up, however, with a list of other dream concert lineups because I’ve always been terrible at picking favorites: 5SOS, All Time Low, and blink-182. All past and current members of Celtic Thunder. Mayday Parade, Taking Back Sunday, and My Chemical Romance. Paramore, Fall Out Boy, and Panic! at the Disco. All Time Low, Marianas Trench, and 5SOS. 5SOS, Little Mix, and Panic! at the Disco. Waterparks, ONE OK ROCK, and 5SOS. With Confidence, State Champs, and 5SOS. 2NE1, Epik High, and BIGBANG. EXO, GOT7, and BTS.


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More About Monica:

Favorite Panic! at the Disco song:Nine in the Afternoon.”
Fiction or Nonfiction? Fiction.
Sunrise or sunset? Sunset.
Early bird or night owl? Night owl.
Book or Kindle? Book.
“Modern art,” yes or no? YES.
Favorite genre of music? Pop punk.
Best Boston sport? Hockey, of course (I grew up playing ice hockey)—go Bruins!
Chipotle order: White rice, black beans, chicken, mild and medium salsa, corn, cheese, guacamole, and lettuce. I also like to add the Chipotle and regular Tabasco sauces on top. I would eat this every day for every meal if I could.

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FableVision Celebrates Women's History Month 2017

Over the past 20 years, we’ve dedicated ourselves to compelling story-enriched media for learners of all ages – and that includes highlighting diverse and powerful representations of female characters. In honor of  the 30th anniversary of Women’s History Month, we’re celebrating female characters we’ve created and worked with over the years. From purple-haired rockstars to influential educators, we’re proud  to draw inspiration from trailblazing women.

Gathered here are just a few of our favorite FableVision feministas. Check out our portfolio for more inspiring characters!


Vita
Zebrafish, Children’s Hospital Trust

Vita marches, sings, and fundraises to the beat of her own drum. In Zebrafish, this earnest teenager is all about making a change in her community. It’s not just her purple hair and rockin’ voice that make her stand out, but her desire to make a difference in the world. When her friend Tanya gets sick, Vita uses the power of music to help move the world to a better place.


Elizabeth Arden and Helena Rubinstein
The Powder & the Glory, Powder and Glory Productions

Though they never met each other, Elizabeth Arden and Helena Rubinstein built an industry that’s now worth over $150 billion dollars. These two women not only revolutionized how makeup was viewed but how women saw themselves. Together with Powder and Glory Productions, FableVision animated sequences for the PBS film, The Powder & the Glory, a documentary that channeled the energy of the Roaring Twenties and life in the 1930s.


Neshama Ryman
The Klumz, Make-A-Wish Foundation of Metro New York and Western New York

At 10 years old, Neshama Ryman has illustrated, written, narrated, and directed her own animated short film, The Klumz. Neshama took the innate clumsiness of her favorite imaginary creature, and turned it into something beautiful. FableVision helped the driven young artist turn her dream into a reality.


Alice Marriott
Hot Shoppe, Marriott International

Welcome to “The Hot Shoppe.” Opened in 1927 by Alice and JW Marriott, the little cafe grew into what is now Marriott International. Alice was Marriott’s first cook, and acted as co-founder with her husband. Resourceful and driven, she’s a role model for the entrepreneurial spirit. The animated series shares Marriott’s core values and for both hotel employees and the public alike: a fun reminder of their priorities from day one.


Savannah Harper
Georgia Race Through Time, Georgia Public Broadcasting

Have you ever wondered what it would be like to see back in time? With her motorbike and trusty canine companion, Peaches, Savannah Harper does just that. This self-reliant young woman is the star of Georgia Race Through Time, a history game that takes players on an exciting journey across the state of Georgia. As an antiques collector with a special gift of seeing back in time, Savannah is a reminder to celebrate personal uniqueness and do what you love.


Isabella Reyes
Good Thinking! The Science of Teaching Science, Smithsonian Science Education Center

Isabella Reyes is a confident, funny educator who learns as much as she teaches. In the animated series, Good Thinking!, Ms. Reyes works to dispel common scientific misconceptions. An experienced teacher, Ms. Reyes is a self-proclaimed science nerd who understands the importance of education. With good humor and a bright personality, Ms. Reyes has educators learning and laughing alongside her as she demystifies the science of teaching science.

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FableVision Travels Back to The Dinosaur Age with National Geographic Kids!

When I think back to the times I went on road trips as a child, I remember feeling like I was traveling for a million years. I kept myself occupied by playing “I Spy” or drawing the things I’d see through the car window. Road trips were a way to learn new things and see new places – they introduced me to the concepts of adventure and curiosity.

I’m hitting the road this summer with National Geographic Kids and FableVision Studios as they launch Dino Road Trip, a series of animated shorts that teach kids fun facts about dinosaurs in a fun and memorable journey through time. FableVision updated scripts for the animated shorts, and provided creative designs, animation, voiceover, sound effects, music, and editing. In a Mystery Science Theater 3000 style, hilarious animated dino hosts Sean and Ali provide fun, colorful commentary over National Geographic’s CG dinosaur footage. Each episode is bursting with awesome visuals and information as Ali and Sean, travel back in time 66 to 100 million years ago to discover the spectacular world of their dino friends – super cool!

With hashtags and selfies, this dynamic duo provides colorful commentary and witty dialogue with a modern spin. I can guarantee that this road trip is anything but boring!

In one episode, Ali and Sean travel back in time 100 million years to the Sahara Dessert where they get to see a Spinosaurus up close and personal! Simon teaches us that it was the biggest meat-eater that existed during that time. “So, I guess we won’t be hugging it out?” Sean jokingly responds.

Dino Road Trip does a fabulous job presenting factual information in a way that’s relatable and fun for viewers of all ages – even as an adult, I found myself laughing at the antics of our hilarious hosts. So buckle up with National Geographic Kids and learn a bit along the way as Ali and Sean (the best travel companions you could ask for) make prehistoric times modern and fun! 

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New England Patriots Tight End Martellus Bennett and The Players’ Tribune visit FableVision Studios

Paul Reynolds, Marty Bennett, and Peter H. Reynolds

Paul Reynolds, Marty Bennett, and Peter H. Reynolds

Martellus Bennett is larger than life in every sense. Creative, generous, funny, artistic, curious – everything about him is big. A new arrival to New England and the Boston area, Marty wanted to swing by FableVision with the folks from The Players’ Tribune to introduce himself to a media studio in his new neighborhood – and we were beyond thrilled to host.

When he’s not tossing a football around for the New England Patriots, Marty’s pursuing his creative passions as an artist, writer, and producer. Marty is opening up his own studio called The Imagination Agency to create apps, children’s books, and animated films. Zoovie: A Warm and Fuzzy Tale is his studio’s first animated short released in August 2015. In addition to illustration, Marty wrote and illustrated Hey A.J. a story featuring his daughter, Jett. The app version of Hey A.J. was just released in time for Father’s Day.

Minutes after his arrival at FableVision, Marty was asking questions, offering tips, and poking his head into all the nooks and crannies of our workspace. Marty and FableVision founder Peter H. Reynolds instantly connected and talked enthusiastically about their love of producing art that inspires kids and adults to dream big.

Marty’s contagious enthusiasm left a lasting mark on the studio. Keep an eye out for all the great things ahead coming from him, The Imagination Agency, and The Players’ Tribune! Thanks for visiting! 

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