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Retelling a Legendary Tale: Mahabharata Animation Spotlight

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Family, duty, and rivalry—this is the story of the Mahabharata, one of India’s oldest and most well-known Hindu epics. To take viewers on a journey through the legendary pages, FableVision partnered with the Peabody Essex Museum to animate an abridged retelling of the epic. This larger than life visual narrative is currently projected on a gallery wall and featured on the museum’s website for virtual tours. 

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The longest epic in existence, the Mahabharata is the source of stories and teachings that have been part of life in India for two thousand years. It tells the story of the Pandavas and Kauravas, two families born of the same blood. Their conflict is one that is morally grey, with heroes and villains on both sides. The animation begins with author Vyasa, who unfolds the story of the Pandavas and Kauravas as they struggle to reconcile jealousy and rivalries that comes to a head in a grand battle. As Vyasa tells the story to the Hindu deity of beginnings Ganesha, the epic comes to life before our very eyes.

The animated epic will feature alongside paintings by Maqbool Fida (M. F.) Husain, one of India’s best-known modern artists. To introduce Husain's work and additional pieces inspired by his vision, FableVision wove elements of the prolific artists’ paintings into the animation and worked with subject matter experts and curators from the museum to create a compelling and poignant animated homage. The exhibit features works inspired by Husain’s vision of the Mahabharata, alongside paintings, sculptures, and other historical materials that showcase India's long and layered history. The South Asian Art exhibition is available for viewing in the physical museum as well as online for people to enjoy.

FableVision’s art team was led by Director of Art & Animation, Bob Flynn, and Lead Designer on the project, Jane Winters. “Early on in development, I came across the work of Natalia Goncharova, Mystical Images of War. Bold shapes, striking composition, gritty textures—all produced in black and white lithographs,” shared Winters. “We took these elements and used them in the overall design of characters, props, and backgrounds. Lastly, we made sure that the characters could be identifiable by silhouetted shapes because they all had such important roles in the story.”

Color played possibly the biggest role in differentiating the two sides of the family and setting the tone of each scene. Because we were working with a limited color palette, we wanted it to be clear which family was the Pandavas—Red—and which family was the Kauravas—Grey. As far as storytelling, we used a combination of close-up and wide shots to communicate the emotions and struggles through facial expressions, hands, weapons, and more.

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FableVision is proud to partner with the Peabody Essex Museum to present this moving testament to the Mahabharata’s rich, significant, and complicated history. Watch the video now, and pay a visit to the exhibit to experience more of Mahabrata’s vast and dynamic history. And be sure to check out our previous collaborations with the Peabody Essex Museum, including the quirky, animated history of Augustus the Strong.

To learn more about the animation and exhibit, read Peabody Essex Museum’s blog post here, watch the BBC World News America clip here, and check out GBH’s “Arts This Week” feature here.

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June FableFriday: J Milligan and Cassandra Berger, Co-Founders of Lanky Co.

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J Milligan and Cassandra “Cass” Berger are…well…lanky. The dynamic co-founders of Lanky Co. met at the award-winning digital toy company Toca Boca. That collaboration has flourished into the launch of Lanky Co., a development studio for high-quality, kid-focused projects to delight and entertain audiences wherever they may be. With a cadence of colorful projects up their sleeve and vast experience working with high profile clients, Lanky is ready to take on any project.

Recently, J, Cass, and FableVision’s Tone Thyne teamed up to produce the quirky earworm that is the new Don’t Mix Us Up music videos. The series addresses the common catastrophe of mixing up things that are easily mistaken for each other but should never be confused. The result is a viral sensation, out now on Aardman studios’ new YouTube channel for teens and adults, AardBoiled.   

“We’re always delighted to hear that our work stands out in the landscape of kids media, because it’s not intentional, it’s just our personalities. We never want to talk down to our audience, and humor is number one,” shares Cass. “Visually, we’re both drawn to similar things so that results in having a cohesive output. We’re not afraid to put something different out there, as long as it’s true to us.”

 We sat down with the duo to talk shop, their preference for Cabbage or Lettuce, and what makes Lanky Co. so…lanky in this month’s FableFriday.

Congrats on the recent launch of Lanky Co.! Tell us more about your mission and the motivation for launching your own studio.
J: We launched Lanky because we both always wanted to have our own studio, and when our last gig came to an end we thought it was time to go for it. I’m really glad we did. Our mission is to make great stuff, add to the culture in a positive way, and focus on projects we care about.  

Cass: We were both at a time in our careers where it felt right to go for it. We wanted to be creatives who have a sense of ownership for whatever work we do, big or small. Whoever gets to the office first texts the other a trophy emoji, that’s how excited we are to get to work.

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Both Lanky’s live-action and animated projects have such a unique, creative style that stands out in the world of kids’ media! How do you describe Lanky’s personality? What unique perspective is your content adding to the landscape?
J:
We like to challenge the audience a bit—we try to get them engaged and invested in a way that we can leave things out and have them fill in the blanks. We do this with visuals and writing and for any age audience. It’s fun to watch something where part of the story happens in your head.    

You previously worked together in animation and production at the game development studio Toca Boca. We’d love to learn more about the history of your collaborative, creative partnership!
J: Cassandra came on to the Toca TV team as the Director of Animation. We’d sit in this half-finished interior room called The Barn with the content team and laugh hysterically for an hour or two coming up with ideas for mini-shows for the Toca TV platform. This was my favorite part of my job, which also involved running a subscription business and building a technology platform. We basically do the same thing now all day long in a much smaller office but with cleaner bathrooms and free kombucha. 

Cass: Back at Toca TV the Product Manager once told me that she was jealous of my meetings because she could hear my laughter coming from all of them. That’s the beauty of working on comedies, laughing means it’s working! We’ve carried that through to Lanky, where we know we’re on the right track when we’re cracking each other up.

Cass, before Toca Boca you spent some time as Art Director and Designer on several broadcast properties and published books. How have those experiences in visual development and show production influenced your work as Creative Director at Lanky Co. today? 
Cass: I’ve been lucky enough to work on a bunch of broadcast shows as well as a lot of show development. At Lanky we’ve taken on a few projects that are pure development, which is my favorite part! Because I’ve worked on shows before, I’m able to avoid complications down the road while we develop a project, as well as poking an idea enough to see if it has legs.

J, you’ve had some amazing experiences working with new technology as Creative Director of the Content Innovation Lab at Sesame Workshop! What technologies or content areas are you most excited about right now?
J: We’re doing a lot of bite-sized content for social media right now, and I love the challenge of packing a lot of story and information into a tiny thing. It’s like writing a sonnet or haiku, only with sound effects and speech bubbles and getting the timing exactly right. There is also a lot of interest in audio and speech recognition right now through podcasting and smart speakers which I find kind of cool and funny because it harkens back to radio theater, which gets the tech out of the way and puts the movie in your head, so to speak. 

Lanky may be young, but you’ve had a lot of collaborative experiences under your belt already, including the partnership with FableVision Studios to create the Don’t Mix Us Up videos. What was it like working with Tone Thyne on this wacky series of shorts?
Cass: Tone is one of my favorite people. He got me my first job out of college and has been a sort of mentor ever since. I was so excited to be able to work with him on an original project because I knew with him involved, it would be great.

J: Genius just wafts from Tone’s mind like that yeasty smell at Subway. Seriously, Tone is the best. When we gave him the note, “can you make the lyrics stupider?” he sharpened his pencil and molded the clever bits for a general audience and voila! Music video history was made.

You’ve also teamed up with Aardman animation studio to distribute the Don’t Mix Us Up series on their new YouTube channel AardBoiled. How is AardBoiled the perfect home for Don’t Mix Us Up?
J: We have always admired, no, worshipped Aardman’s comedy, craft, action sequences, attention to detail, and high, high bar for quality. It’s like everybody else was doing things one way and Aardman came along and thought, we’re just going to painstakingly make brilliant comedy for people of all ages and see what happens. We hope that Don’t Mix Us Up appeals to Aardman fans. We’re really happy to be working with them and to have the series on their channel.

We had so much fun working with you on Don’t Mix Us Up! Now that the series has launched, what’s next on Lanky’s horizon?
J: We have irons in fires all over the place. We’re creating new ideas for original shows and books as well as working with partners on edutainment, digital design, content marketing, and other kinds of storytelling. We love working on different kinds of projects, collaborating with folks, and are always looking for new challenges.

Finally, the Lanky mascot has an interesting (and creative!) presence on Instagram. Who is the mastermind behind-the-scenes?
Cass: When we had downtime early on we talked about creating some kind of Instagram comic, something that we could do just ourselves to get a presence out the world. We both come up with ideas and I draw them. The idea is to make quick bites that we can post to get a laugh. You can tell that we’re busy when there hasn’t been a post in a while but there are definitely Lanky fans out there eagerly waiting for the next piece in the series.


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More about J and Cass:

Favorite Muppet:
J:
Cookie Monster                     
Cass: Grover

Junk food of choice:
J: Shrimp Chips              
Cass: Fritos

Animated short that inspires you: 
J: Virgin Atlantic Safety Video
Cass: The Little Boy and the Beast

New technology you’re excited about: 
J: Cordless Vacuum Cleaners—total game-changer           
Cass: Virtual Reality drawing/digital painting

Kids’ show that makes you nostalgic: 
J: Magic Garden   
Cass: Pinky and the Brain

The best viral YouTube video:     
J: This should be viral.  Please everybody watch this!  
Cass: Don’t Mix Us Up: Cabbage & Lettuce (If I say it, will it make it viral?)   

Cabbage or Lettuce? 
J: Lettuce 100%   
Cass: Cabbage 100%

Favorite way to unwind?            
J: Chopping wood in my orange safety chaps
Cass: Watching The Real Housewives 

 

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How I Made My Mark: Marc Colagiovanni Reflects on Dot Day 2017

In life, I believe there are no such things as coincidences. I am also a firm believer in the old adage, “everything happens for a reason.” I have been an attorney in the State of Rhode Island for sixteen years. I am honored to be a part of this profession and I enjoy the practice of law. However, over the last several years, the creative side of my brain has been daring me to try! Try! Try! In 2010, it was this voice that urged me to finally pursue my goal of becoming a published children’s book author. The published piece of that goal is something I’m working towards and in the meantime, I am very proud of the stories I have written. I am even more proud of the example I have been setting for my children as they witness the joy I’ve received in my practice of putting pen to paper.

My “make your mark” moment came in December 2016 when I dared myself to animate one of my stories. I took a leap of faith and when I landed, I was standing next to FableVision Studios and Peter H. Reynolds.

My Aunt Marcia has lived in Dedham, Massachusetts for over twenty years, and has visited Dedham Square hundreds of times—never once noticing Peter’s wonderful little bookstore, The Blue Bunny. In December 2015, I won a holiday writing contest held by The Providence Journal, a local newspaper in Providence, RI. As Aunt Marcia strolled through Dedham Square that December with my writing victory fresh on her mind, she looked up and, for the first time, noticed Peter’s store. As fate would have it, Peter was in the store that day. Armed with the knowledge of my love for writing, my aunt introduced herself and boldly asked Peter if he would meet me. Peter graciously invited us to attend The Mass Book Awards. On January 10, 2016, I attended the event and met Peter. We spoke for no more than two minutes, but as the conversation ended Peter shook my hand and said, “Make your mark.”

On my drive home that night, I decided to do just that. I gathered my courage and emailed Peter a story I had been working on, The Reflection in Me. Fortunately, Peter loved my story and provided me with some terrific editing suggestions. It was not until months later in December 2016 that I once again emailed Peter. I inquired as to whether or not his studio, FableVision, animated projects for the general public; Peter responded in the affirmative. The following month, I emailed The Reflection in Me to FableVision.

Marc with his wife, Lauren. 

Marc with his wife, Lauren. 

The story for The Reflection in Me was inspired by my family. My wife of eleven years, Lauren, and our three children, seven-year-old, Addison, and four-year-old twins, Ella and Mia, are the single most important things in my life. I often refer to my daughters as “beautiful chaos” and it befits them perfectly. One day, as I was watching my girls dance, sing, and laugh in front of the full length mirror in my home, I realized how incredibly different the experience in front of a mirror is for adults. As adults, we seek out mirrors to correct our perceived imperfections. We fix our hair, check our teeth, and tug at our clothes. But for children, they don’t fix a thing. They look at their reflection and they see perfection! I suddenly became sad as I realized that my girls, too, will someday look in the mirror and try to “fix” something. At that very moment, The Refection in Me popped into my head. As I contemplated that dreadful day when the dancing, singing, and laughing would end, I quietly prayed that my girls would always find a way to see themselves as I forever will…perfectly perfect.

I was familiar with Peter’s film I’m Here, so I was confident that his studio could bring my story to life. My confidence, however, grew exponentially when I received an email from Peter offering to be the executive producer on my film. I was ready to make my mark!

I first met the FableVision team on February 16, 2017 at FableVision Studios in Boston, Massachusetts. In attendance were Sarah Ditkoff (Marketing and Client Services Manager), Bob Flynn (Director of Art and Animation), Leigh Hallisey (Creative Director and Head Writer), Mikaela Johnson (Production Assistant), and Peter Stidwill (Senior Producer). And sitting to my right…Peter H. Reynolds! To say I was nervous would be an understatement. But my nerves quickly disappeared as I witnessed the genuine excitement this talented group of people had for my little story. From that meeting on, and over the next four months, I had the most enjoyable creative experience of my life. From the initial illustrations to the storyboard to the final film, I found the entire process fascinating. And I was equally fascinated by the people involved in the process.

Peter and Mikaela were my main points of contact throughout production. Not only were they passionate about the film, they truly understood how personal a story is to the person who wrote it. They allowed me to share my vision and ideas, but at the same time they were able to objectively move the film in a direction that allowed it to reach its full potential. I thoroughly enjoyed working and collaborating with these talented individuals.

Didi Hatcher was the animator on the film. I was amazed by the manner in which she interpreted the story. I wrote this story with the intent of creating something very simple, but with a powerful message. As such, Didi had the difficult task of creating emotion in a very basic setting; every scene is just the character and the mirror. Therefore, in order to evoke the true emotion of the story, the movements of the character had to be subtle yet meaningful. Every movement from the raise of an eyebrow to a clasp of the hands to a shrug of the shoulders was done brilliantly thanks to Didi’s expert eye and hands.

The narration was performed by the talented Candace Kozak. I was afforded the opportunity to sit in on the taping of her recording session. I was amazed by Candace’s ability to interpret the mood of the story so perfectly. This script is challenging in that it, technically, consists of three different characters: the character, the reflection, and the narrator. Candace, however, was able to deliver the lines in a way that differentiated between all three. The combination of Candace’s performance coupled with the richness in her voice truly conveyed the emotion of the story.

Peter Stidwill and Mikaela were able to locate the perfect musical composer for this film, David Nyman. I, admittedly, was concerned about this process because a musical score can make or break the emotion of a scene. But my concerns disappeared instantly upon hearing the first note – it was a homerun. I was extremely humbled by David’s talent and musical interpretation of the story.

While I truly enjoyed every aspect of this project, what mattered most to me was having Peter Reynolds’ signature illustrations as the face of this film. The moment I saw his initial sketches of the character, I instantly felt the emotion that embodies all of Peter’s stories. His role as executive producer made my story come to life. He was able to convey my vision perfectly and in many ways, better than I ever could have imagined. But my absolute favorite part of this entire journey was when Peter read my story aloud during the project kickoff to get the team’s creative juices flowing. Hearing this successful individual read something that I had written validated my decision to reach out to Peter and FableVision, and truly “make my mark.” It confirmed to me that this film was going to be special. And it is special. To me, it is perfectly perfect!

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International Dot Day is a global celebration of creativity, courage, and collaboration. Personally, this special day embodies not only my journey with The Reflection in Me, but the creative journey I have been on throughout my entire life. Trying to succeed in the arts is a difficult task. Whether you are a musician, actor, writer, or painter, your work is always evaluated under a subjective microscope.

In Peter's book, The Dot, Vashti proclaims, “I just can’t draw!” and it is a feeling of self-doubt that resonates within all of us. But the secret to overcoming self-doubt, as taught by Vashti’s teacher, is to take a strong jab and shout, “There!” As I raise my children, I will impress upon them that success is not always measured by whether or not a goal is accomplished, but rather by the amount of courage and perseverance put forth into the effort. I will always be the voice inside their heads daring them to try! Try! Try! And to those of you reading this post, I dare you to “make a mark and see where it takes you.”

Join FableVision and me on September 15 to celebrate Dot Day. Catch Peter's TVOKids appearance on the LIVE afternoon block of The Space and don’t miss the live-stream where renowned illustrators from the world of children’s literature will be LIVE drawing to inspire everyone to take a chance and make their mark!


Want to see The Reflection in Me on the big screen?

Marc at the 5th Annual Skyline Indie Film Fest where The Reflection in Me was an official festival selection. 

Catch the film at these festivals:

20th Auburn International Film Festival for Children and Young Adults
When: September 18-22
Where: Sydney, Australia

Mill Valley Film Festival
When: October 5-15
Where: San Rafael, California

 

 

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